We’re so lucky to welcome artists from all over the world to PNB’s studios to stage ballets. Each ballet requires a stager, the artist who teaches the steps, timing, and intention of a ballet on behalf of the choreographer.
For our upcoming mixed bill EMERGENCE, RAkU choreographer Yuri […]
Red Angels, coming up on PNB’s DIRECTOR’S CHOICE program March 16–25, has caught our attention around PNB’s offices. Four incredibly athletic dancers (plus the resounding soundtrack of electric violin) consume the studios during rehearsals of this red hot ballet.
Knowing the late choreographer Ulysses Dove created Red Angels […]
Complicated and mesmerizing, One Flat Thing, reproduced follows a cueing system that unfolds in a rapidly shifting network of relationships. As mentioned in an earlier blog post, the music does not direct the piece; the dancers direct the piece. Time is organized as dancers give and receive cues, collectively determining the flow of the dance.
Watching a complicated ballet without any prior knowledge can feel like watching the season finale of a TV show without having seen a single episode, or beginning a novel by reading the final chapter.
One Flat Thing, reproduced is a complicated dance, so consider this blog as your road map […]
Crystal Pite is a former company member of Ballet British Columbia and William Forsythe’s Ballett Frankfurt. She made her professional choreographic debut in 1990 with […]
Let’s just soak in the genius of Crystal Pite for a moment.
You’ve probably heard us gushing about this groundbreaking choreographer ever since we first staged Emergence in 2013 (and again now that we’re putting on the American premiere of her piece Plot Point). It’s for good […]
PNB’s upcoming HER STORY program features three of our favorite choreographers: Twyla Tharp (Afternoon Ball), Crystal Pite (Plot Point), and Jessica Lang (Her Door to the Sky). You can get a taste of all three groundbreaking choreographers’ work this November 3–12 at McCaw Hall, but if you can’t wait until […]
Jerome Robbins’ Opus 19/The Dreamer follows one main character, “the dreamer,” through a night of sleep. An ethereal romantic interaction crescendos into a fevered dream, then peacefully fades. Opus 19’s hectic and passionate score, Prokofiev’s Violin Concerto No. 1 in D Major, completes the dream’s obscurity with three movements of frenzied violin.
By Emil de Cou, Music Director/Principal Conductor, PNB Orchestra
On February 28, 1990 Twyla Tharp’s Scottish-themed ballet Brief Fling made its debut on the stage of the War Memorial Opera House in San Francisco. I was in the orchestra […]
Choreographer, dancer, LA Dance Project founder, actor, husband, dad, PNB fan… what else is there to know? Read on, then join us at TRICOLORE to see Millepied’s 3 Movements and Appassionata as well as George Balanchine’s Symphony in C.
