Act I, Scene I
In Don Quixote’s study, his niece Joanna is talking to Carasco, his servant. They are worried about the Don, who is slowly but surely being driven mad by all his reading. They therefore decide to hide the Don’s books.
Meanwhile, Don Quixote comes into the study, totally […]
Act II, Scene I
On a plateau in the mountains, a troupe of traveling actors has set up camp. Kitri and Basilio appear and ask the actors to help them escape. While the group performs, Kitri and Basilio put on costumes and join in. When Lorenzo and Gamache arrive at the camp, they are […]
Act III, Scene I
Kitri and Basilio are enjoying themselves with Espada, Mercedes, and a group of friends in a tavern filled with gypsies, bullfighters, and other high-spirited folk. Kitri thinks she has escaped her forced marriage to Gamache. Unfortunately, it is not so easy, as her […]
Dear Friends,
We have presented entire programs by one choreographer before, with several by George Balanchine and others featuring Jerome Robbins and Twyla […]
Dear Friends,
We are all excited for the premiere of Giselle tomorrow night after almost a year’s worth of preparation. This is a first for PNB. There are four casts of principals and each cast bring something unique to their interpretation. I hope you are able to […]
What do Peter Boal and the youth of Seattle know that most people don’t? What June 18th at 7PM will look like! On May 4th we had our first very successful TEEN NIGHT at PNB’s studios hosted by Peter Boal, and thanks to everyone who showed up and the choreographers, we have people […]
There are a few moments in George Balanchine’s A Midsummer Night’s Dream that get me every time, like when Bottom, crowned with the head of an ass, looks quizzically to his audience in mid-promenade with the willowy Titania, as if to say, “Huh?” Perhaps Balanchine took his […]
The History ~ Since its premiere in 1841, Giselle has become one of the most popular ballets of all time and is considered ballet’s great tragedy. Giselle represents the greatest achievement of ballet’s Romantic era. After it fell out of repertory at the Paris Opera, it returned to the West via Russia and […]
Giselle
World Premiere, June 3-12, 2011
Peter Boal’s World Premiere staging of Giselle marks the first time an American ballet company has revived a classic based on original material researched by Stepanov notation expert Doug Fullington in collaboration with leading Giselle scholar Marian Smith.
Our work […]
After being deposed as Prince from New York City Ballet’s Nutcracker, which happens after you reach 5′ tall, I remained part of the production. I became the “bed boy.” The “bed boy” is given a set of knee pads and a few sketchy instructions before he climbs underneath […]