PNB's current program, ALL BALANCHINE, highlights the range and creativity George Balanchine brought to all of his work. The three featured ballets (Prodigal Son, Square Dance, and Stravinsky Violin Concerto) are selected from different periods of Balanchine's career to showcase his full breadth and depth as a choreographer. But if you were a Balanchine ballet, which would you be? Answer the questions in this quick quiz to reveal your result!
To capture Balanchine’s contribution to ballet in America in a few paragraphs is impossible, but I’ll attempt to scratch the surface. Balanchine, often in partnership with benefactor and arts impresario Lincoln Kirstein, founded the School of American Ballet and New York City Ballet. These institutions served as his dance laboratories. In these humble studios, with the help of dancers, musicians, and fellow artists, revelatory discoveries in ballet technique and dance-making came to life. Dancers hold Balanchine’s ballets in a place of reverence. That is especially true of PNB dancers, who enjoy a wealth of Balanchine repertoire and possess an innate technique and musicality acquired at schools like ours...
PNB is the home of so many artists: dancers, costumers, musicians, and more. In this series, we highlight PNB Orchestra members through their musical taste. Today, meet PNB Concertmaster and Solo Violinist Michael Jinsoo Lim, who will be featured in Stravinsky Violin Concerto, part of PNB's upcoming ALL BALANCHINE program! Click here to read more about Michael and the music (and musicians) who influence him.
George Balanchine's Prodigal Son is a dramatic masterwork. The story was the idea of Boris Kochno, Serge Diaghilev’s assistant and frequent artistic collaborator. His libretto is based less on the biblical account and more on a passage from Alexander Pushkin’s short story, The Stationmaster (1830), in which the author describes engravings depicting scenes from the parable that hang in a postal station somewhere in Russia. Read on to learn Kochno's story of Prodigal Son.
George Balanchine’s Square Dance is a fascinating combination of two surprising elements: American square dancing and classical ballet. Balanchine (1904-1983) explained, “I have always liked watching American folk dances, especially in my trips to the West, and it occurred to me that it would be possible to combine these two different types of dance, the folk and the classic, in one work.” Today on the PNB Blog, we’ll explore how Balanchine combined these two styles of dance to make one beloved ballet, including fascinating details about the original version with a square dance caller onstage!
The old dictum, “timing is everything,” is everywhere in dance—the precise timing of a lift, the coordination of a musical phrase with a physical gesture, a moment of complete unison from the corps de ballet—timing is at the core of everything PNB does. Last year, we received a generous grant from the M.J. Murdock Charitable Trust to expand our accessibility offerings. We saw the opportunity to grow our accessibility options to include the Blind and Visually Impaired community by introducing Audio Dance Description to our regular season programming. In November 2023, the timing lined up, and a bit of fate intervened... Click here to read how PNB's Audio Description programming began!
Jonathan Porretta has excelled at many different roles at PNB. He was a beloved principal dancer and performer in the company and an equally popular faculty member at PNB School. This season, he tackles a new role as a rehearsal director. Read on to learn Jonathan's favorite memories at PNB School, what he's most looking forward to in his new role, and more!