Juliet
Prine
Juliet Prine is from Minneapolis, Minnesota. She studied at Minnesota Dance Theatre, Colburn Dance Academy, and Pacific Northwest Ballet School, and she attended summer courses at the School of American Ballet, San Francisco Ballet School, Chautauqua Institution, and Pacific Northwest Ballet School. She was a 2018 participant in Pacific Northwest Ballet School’s exchange with Paris Opera Ballet School. Ms. Prine joined Pacific Northwest Ballet as an apprentice in 2019 and was promoted to corps de ballet later that year.
Ms. Prine has performed with Minnesota Dance Theatre, including roles in Adam Barruch’s dark heart, Eliot Feld’s A Stair Dance, Wynn Fricke’s Upturned Jewel, Loyce Houlton’s Nutcracker Fantasy, José Limón’s The Moor’s Pavane, Dominique Serrand’s Bach Cello Suites, and various works by Loyce and Lise Houlton; and with Charlotte Ballet, including roles in Jean-Pierre Bonnefoux’s Carmina Burana and Mark Diamond’s Adagio.
Featured & Leading Roles
George Balanchine
Allegro Brillante
The Nutcracker
(Sugar Plum Fairy, Harlequin, Hot Chocolate, Dewdrop)
A Midsummer Night’s Dream
(Helena)
Peter Boal
Giselle
(Peasant pas de deux)
Donald Byrd
Love and Loss
Ulysses Dove
Dancing on the Front Porch of Heaven
Jiří Kylián
Sechs Tänze
Penny Saunders
Wonderland
Kent Stowell
Cinderella
(Stepsister, Winter, Columbine)
Swan Lake
(Pas de Quarte, Act I Pas de Trois, Neopolitan)
Twyla Tharp
Sweet Fields
Original Roles
Alejandro Cerrudo
Black on Black on Black
Annabelle Lopez Ochoa
Khepri
Nia-Amina Minor
And yet here we are
Amanda Morgan
This Space Left Intentionally Blank
Dwight Rhoden
Catching Feelings
Kiyon Ross
…throes of increasing wonder
Eva Stone
F O I L
Price Suddarth
The Intermission Project
Juliet Prine, Amanda Morgan, & Cecilia Iliesiu on being back in the studios
After about five months away, PNB has begun slowly welcoming dancers back into our studios at the Phelps Center. Safety is paramount. PNB is following local health and safety mandates, consulting public health advisors and partnering with AGMA (dancers’ union) on strict return-to-work protocols including screening measures, timed entry into [...]